A new female embezzler arrives. Even though this variant is in color, includes a different cast, and can be put in 1998, it really is closer to a shot-for-shot picture than most remakes, Gus Van Sant frequently copying Hitchcock's camera moves and editing, and Joseph Stefano's script is largely completed over. Bernard Herrmann score recorded in stereo and will be re used as well, though with a fresh arrangement by Danny Elfman.